The Timeless Influence of Robert Weahkee's Zuni Fetish Carvings
The Timeless Influence of Robert Weahkee's Zuni Fetish Carvings
A family tradition four generations strong
Nestled within the sacred landscapes of New Mexico, the Zuni Pueblo is home to a rich tradition of intricate stone carving, an art form that has been perfected over centuries. Among the pantheon of master carvers, Robert Weahkee stands out as a legacy bearer of one of the most esteemed carving families – the Weahkee family. His creations are not mere trinkets; they are powerful symbols, connecting the ancient past with the vibrancy of the present.
A Rich Heritage of Artistry
The lineage of the Weahkee family is steeped in creative wisdom. With ancestral roots tracing back to Teddy Weahkee (1890 - 1965), who worked alongside the noted Zuni trader C.G. Wallace (1898 - 1993), this carving dynasty has shaped the landscape of Zuni artistic expression. Teddy and his contemporaries, such as Leekya Deyuse (1889 - 1966), were instrumental in reviving the lapidary arts during the 20th century, setting a benchmark of excellence for generations to follow. As Robert explained in an email,
“I’m a fourth generation carver from Zuni. My great grandfather was Teddy Weahkee. My grandma Edna Leki was the one who taught me to carve my first carving. And my aunt Lena Boone was the one who took me under her wing, she’s the reason I love doing Indian Market, it was a summer family tradition to be there”.
Robert Weahkee embodies the spirit and craftsmanship of his forefathers. Being the great-grandson of Teddy Weahkee, Robert was ushered into this hallowed tradition from a young age, exposing him to the time-honored methods and spiritual dimensions of Zuni carving.
“I would like for people to know that it’s a blessing to continue my family’s work. I know that it’s a talent that was given to me by my ancestors, because through my work their name will be remembered as I continue to make my contribution. I have my family to thank and everyone who connects with my work. Elahakwa (thank you)!”
Carvings Imbued with Cultural Significance
Each fetish carved by Robert is a narrative of Zuni mythology and spirituality. Traditionally, these fetishes are believed to house the spirits of the animals they represent, serving as protectors and guides. Weahkee's work reflects a profound reverence for these tenets. The badgers, bears, lions, and owls that emerge from his hands are not merely stone representations but guardians of the sacred directions – each with its own purpose and power.
The Craft of Connection
Robert's dedication to his craft is evident in every piece he carves. Utilizing primarily antler, he breathes life into each carving, creating pieces that are introduced as award-winning hallmarks of innovation, yet unwavering in their traditional aesthetic. When asked about the carving process, Robert explained in detail,
“I start by dry carving outside. After, I sand them to a fine smooth finish. After the sanding I add the details with a Dremel. After the detailing I do the burnishing. After that I buff each piece till it has a lustrous finish. The final stage is the necklaces and the bundles”.
Although certain features, like detailed etchings or adornments, have evolved to meet collector demand, the spirit of the art remains untouched, and the continued reverence for the sacred is ever-present in Robert's work. From the serenity of owls to the power of Knifewing figures, his work remains an authentic testament to Zuni culture.
The Contemporary Market: A New Perspective on Traditional Carvings
The interest in Zuni fetishes has bloomed in contemporary times, captivating collectors worldwide. Yet, the traditional Zuni perspective maintains that minimal alteration of the original material ensures the fidelity of the fetish's power, a philosophy that Weahkee upholds through his creative process.
When asked about his experience as a young child at Indian Market in Santa Fe, Robert said,
“The end of summer was I time I would be looking forward to. I was fortunate enough that my aunt (mother’s side) Lena took me under her wing, I would be in awe of all the people there. I was like a sponge just observing what was going on from the business side. She encouraged me to carve a few pieces to add to her table. The money I made from any sales I would buy school clothes. I remember I won second-place youth sculpture once. Last two years have been my first doing the show by myself, but with the experience I gained with my aunt gave me the confidence to pursue it on my own”.
Robert Weahkee's Unique Selling Points
Robert Weahkee's fetishes are a dialogue between the Zuni people and Mother Earth, showcasing:
Heritage and Legacy: Each carving resonates with the heritage of the Weahkee family, some of the original artists to carve stone fetishes for Zuni deities.
Cultural Significance: The sacred stones selected embody the spiritual practices and environmental wisdom of the Zuni people.
Exceptional Craftsmanship: Weahkee's commitment to his family's legacy translates into exceptional artistry and skill.
Preservation of Tradition: Weahkee's pieces are more than art; they are keepsakes of Zuni culture, ensuring its perpetuation for future generations.
As collectors and admirers of Native American artistry, we must both cherish and respect the profound cultural roots of Robert Weahkee's Zuni Fetish Carvings. Whether resting on a mantle or cradled in one's palm, these carvings are not just stones and antler shaped into form; they are the enduring voice of a people, crystallized into beauty by the hands of a master artist.
Interested in owning a piece of this timeless tradition? Explore our collection of Robert Weahkee's carvings and become a guardian of history. Email a.green@hsu.design